Difference between revisions of "Audio"

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==Comments==
 
==Comments==
*Audio files are normalized to WAVE LPCM with a bit depth of 16 bits per sample and a sampling frequency of 48000 HZ.
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*For the preservation master, audio files are normalized to WAVE LPCM with a bit depth of 16 bits per sample and a sampling frequency of 48000 HZ.
*Library of Congress considers WAVE LPCM as the "preferred format for sound recordings." [http://www.digitalpreservation.gov/formats/fdd/fdd000002.shtml Library of Congress Sustainability of Digital Formats: WAVE Audio File Format with LPCM audio]
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**Library of Congress considers WAVE LPCM as the "preferred format for sound recordings." [http://www.digitalpreservation.gov/formats/fdd/fdd000002.shtml Library of Congress Sustainability of Digital Formats: WAVE Audio File Format with LPCM audio]
*Florida Digital Archive normalizes audio streams contained in WAVE files to uncompressed PCM(LPCM) with a bit depth of 16 bits per sample. See [http://www.fcla.edu/digitalArchive/formatInfo.htm Preservation action plans: WAVE].
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**Florida Digital Archive normalizes audio streams contained in WAVE files to uncompressed PCM(LPCM) with a bit depth of 16 bits per sample. See [http://www.fcla.edu/digitalArchive/formatInfo.htm Preservation action plans: WAVE].
*According to [http://www.carli.illinois.edu/mem-prod/contentdm/guidelines_for_audio.pdf Guidelines for the Creation of Digital Collections: Digitization Best Practices for Audio, Consortium of Academic and Research Libraries in Illinois, 2009], WAVE LPCM with with a bit-depth of 16 bits and a sampling freqency of 44000 HZ is the minimum standard for a preservation format. Higher bit depth and sampling frequencies may be desirable: "Several specific reasons for richer files include: the accurate capture of noise like clicks, pop, and other inaudible information that resides in frequencies higher than 44.1 kHz; desire to communicate inaudible harmonic information that impact perception of sound; ability to record and provide content that, although not necessarily heard, helps listeners understand and hear better space, depth, and instrument location in stereo and surround sound recordings; and to accommodate future user applications."
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**According to [http://www.carli.illinois.edu/mem-prod/contentdm/guidelines_for_audio.pdf Guidelines for the Creation of Digital Collections: Digitization Best Practices for Audio, Consortium of Academic and Research Libraries in Illinois, 2009], WAVE LPCM with with a bit-depth of 16 bits and a sampling freqency of 44000 HZ is the minimum standard for a preservation format. Higher bit depth and sampling frequencies may be desirable: "Several specific reasons for richer files include: the accurate capture of noise like clicks, pop, and other inaudible information that resides in frequencies higher than 44.1 kHz; desire to communicate inaudible harmonic information that impact perception of sound; ability to record and provide content that, although not necessarily heard, helps listeners understand and hear better space, depth, and instrument location in stereo and surround sound recordings; and to accommodate future user applications." (p.1)
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*For the access copy, audio files are normalized to MP3 using a bit-rate of 192 kbp/s.
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**According to [http://www.carli.illinois.edu/mem-prod/contentdm/guidelines_for_audio.pdf Guidelines for the Creation of Digital Collections: Digitization Best Practices for Audio, Consortium of Academic and Research Libraries in Illinois, 2009],"Access copies for audio files may be saved in compressed formats that allow for quicker transfer or streaming via the Internet. The MP3 format is widely-supported, is playable on nearly all handheld devices, and is commonly used for web delivery. MP3 is the preferred format. MP3 files saved at 192 Kbps (the bit-rate) are recommended for good quality compressed audio." (p.2)
  
  

Revision as of 15:09, 15 March 2010

Main Page > Documentation > Media type preservation plans > Audio


Significant properties of audio files

Preservation Format

LPCM/WAVE

Access Format

MP3

Normalization tool

FFmpeg

Comments